Ingrid Plum uses her voice with extended technique, improvisation, field recordings, percussion and electronics, to create layered soundscapes, spoken word and songs. Described by The Guardian as “gorgeously atmospheric vocal techniques woven around field recordings & electronics” she has performed and exhibited installation art internationally since 2002, creating work that combines Sound Art, Contemporary Classical and Folk music. Incorporating her research into folk traditions with field recordings and studying directly with Meredith Monk her recent performances have been described as “succinct and nourishing... a luxuriant space between almost excessive precision and looser improvisation" by The Wire.
Plum formed the free improv group Susurrations with Legalliene in 2011 and in 2012 she launched Plum Records and released her solo EP 'The Tunnel Recordings' followed in 2015 by her debut album 'Plangent'. In 2016 this was followed by 'Everything Is Becoming Science Fiction' a collaboration with Graham Dunning, Ian Stonehouse and John Harries and 'Unsung', a collection of early sound works from installations and films. In 2016 she formed PlumPyneThornton, a free improv trio with Andy Pyne (Map 71) and composer/pianist/writer Timothy Thornton and joined The Larsens all female noise choir as a founding member. Plum is a visiting lecturer in Interdisciplinary Practice, Sound and Media at Goldsmiths University Of London and the University of Brighton. She is the founder of Bechdel, a DIY event platform for female experimental/noise/spoken word/improv/free folk/free jazz/folk/Neo classical acts and is based between the UK and Denmark.