"Dead Space" is
a video/sound installation combined with live performance on the
opening night.
The video uses splitscreen
video projection over 2 walls with surround sound.
The splitscreen video features
a dancer performing in a house that had been empty for 30 years. The movement
and sound evoke the fractured timeline of the space. Echoes of actions and
melodies are repeated in a search for resolution within the duplicity of
memory. A dialogue evolves from this; the clarity of a memory that seems
to last forever, versus the vague shadows of past possibilities.
The mind struggles through
half-remembered ambient sensations to piece together a linear truth.
Inevitably
this proves impossible; the past is as fluid and transitory as the future,
and the clear memory is drawn out so far it becomes static, dissolving
into
the strength of the sentiment it evokes, the action irrelevant. The shadowy
possibilities are repeated until they diverge into parallel paths, both
possible and either one accurate. The mind has to acknowledge ignorance
of what it has witnessed.
For the installation
and performance of "Dead Space" as part of the '2' exhibition
at the Fringe Gallery, Brighton, I built a wall from tracing paper
and
PVA
glue to
emulate the windows used in the video.
At the private view
myself and Nicola Keith, the dancer I directed in the video, performed
for the 8
minute duration of the video. The performance began with us both standing
back to back, silhouetted behind the tracing paper wall inside the space.
I began singing and drawing
on the dirty floor in chalk, whilst Nicola danced and drew on the wall
in charcoal. We repeated the pattern drawn on the dirty window in the
video. I sang the refrain from the soundtrack, preempting the recording
so that it sounded like an echo of what I was doing live. Our movements
were a similarly extended and excruciatingly slow progress as we gradually
covered the floor and wall in the repeating pattern. We finished side
by side, having explored the whole territory of the space vertically
and horizontally. The audience watched from the outside of the tracing
paper wall.
The markings on the floor
and wall remained as part of the completed installation for the rest
of the exhibition, and viewers could go in and out of the space to view
the installation as they wished.